So I Downloaded A Art Template, How Do I Color It?
Due west e've all seen films with an eerie greenish or chilly bluish tint that drives home the tone of the projection. These different atmospheres, and many more than, stand up as monuments to the film and video coloring process. It takes a good amount of inquiry and do to control images with advanced precision. What's the difference between color grading vs. colour correcting? And what other color processes can filmmakers use to tell their stories?
In this post, we're going to take you through the process of coloring digital video so that you can control the mood of your project. You lot'll be prepare to establish your unique video style, or get footage that resembles your favorite films and shows.
Tabular array of Contents
Everything yous need to know about color grading and colour correction
- Color Procedure Nuts
- Video Color Intro
- Understand Color Hue
- Grasp Color Saturation
- Acquire Color Brightness
- Report Coloring Tools
- Color Procedure Steps
- Determine Picture Profile
- Color Correct
- Color Grade
- Video Color Examples
- Motion-picture show Profile Examples
- Color Correction Examples
- Colour Grade Examples
- Color Palette Examples
ane
Color Process basics
what YOU Need TO KNOW well-nigh video color
1.1 VIDEO Colour intro
The basics of digital video color
The procedure of properly coloring your footage is fabricated up of iii main interconnected tasks. Like any other recipe or formula, it is a general dominion to do each of these tasks in their proper order, footstep by pace.
Digital video coloring steps:
- Establish picture profile
- Color correct footage
- Color class footage
These steps come up with their own sets of micro-tasks, and with their ain specific orders. Before nosotros keep, let'southward quickly break down our ii "title processes" of color grading and color correction to go along everyone on the same folio.
COLOR GRADING VS. COLOR CORRECTION
Colour correction is a technical process that fixes color problems and makes footage announced as naturalistic as possible. The idea is for colors to await clean and real, as human eyes would see them in the real world.
Color grading is also technical, just information technology'south more of a artistic business concern. The colour grading process adds atmosphere and emotion to shots past coloring footage in new, frequently unnatural ways.
The result of a finished video or motion-picture show comes from a combination of both color grading and color correction — so information technology'south not really a matter of one "versus" the other. Rather, it's all nearly the way they are combined to generate a desired look.
It's the departure between "add ii eggs" and "crack two eggs into a bowl, whisk them for thirty seconds, then chill in the fridge for an 60 minutes."
We'll bound into the steps shortly, merely first we demand to get over some bones color terms that will be used no affair which color grading software or camera you employ.
1.ii VIDEO COLOR ESSENTIALS
What is color hue?
Hue refers to the color itself. In simplest terms, it'due south the difference between carmine and blueish. Your hue can then be altered by saturation and effulgence, which we'll embrace as soon as nosotros give you a few paragraphs on hue.
Together, hue, saturation, and brightness are known every bit "HSB." This combination makes up the basic color concerns of any video prototype.
Hues don't always have to exist vivid, principal colors.
A skin tone, for instance, might be a brown hue that has very little saturation, and a lot of brightness — giving u.s.a. a "fair" skin tone.
That aforementioned hue can be saturated and darkened to give usa a unlike skin tone, all while still corresponding with the brown hue. Some skin tones will accept different jumping off hues, so employ your spot sampler to identify.
Here'southward a video that breaks down HSB color theory, and gives a good primer for our give-and-take of color grading and colour correction.
Hue, saturation, and brightness (HSB) explained
Color schemes need to be your concern. Master filmmakers treat color every bit a artistic component every flake as important as the script, the talent, and the camera shots.
In the video above, you tin see how hue, saturation, and brightness color theory (HSB) tin can exist applied to create mood in any film or video.
1.iii COLOR grading video
What is color saturation?
Saturation refers to the intensity of the colour. This is determined by the amount of grey in the hue, from pure grey, to a vivid color.
Saturation is where you really get to make your colors "pop," or, at the other stop of the spectrum, go "muddy." Believe it or not, this is all due to the amount of grey data in the color. Seems unproblematic, right?
If yous add together pure white or pure black to your color, you'll go a darker or lighter brightness value, which is our next category.
1.4 VIDEO Color correction
What is color effulgence?
Brightness refers to the level of light in your color. This determines the difference betwixt, say, burgundy and candy apple tree.
The hue for each is still red, and the saturation is at the max for each, but the corporeality of white and black in the colour value is different. A colour with intense saturation that has a high effulgence value might make the viewer experience energetic and happy, whereas the same hue with a high saturation and low brightness value may evoke dread.
Is blood creepier when it is bright or when it is dark?
Those are fun questions that can come up up during pre-production, and exist emphasized and seized upon during the coloring procedure.
i.five color grading software
Which coloring tools should I use?
There are a number of coloring tools and effects that tin can exist practical, and altered, to help yous both correct and class your footage. Adobe Premiere is a practiced identify to showtime:
Coloring tutorial with Adobe Premiere
Different programs practice things improve than others. Adobe Premiere, for example, is a non-linear editing (NLE) platform that include a robust bill of fare of color tools.
DaVinci Resolve is an example of a more specialized, stand-alone color plan, which too includes editing features.
We don't want to play favorites, so here's a good overview of DaVinci Resolve as well:
Coloring tutorial with DaVinci Resolve
Let'south interruption downward these tools a fleck further, but remember …
Don't begin coloring your footage until you've read through the entire article because color is complex, and if yous rush alee y'all could destroy image quality and leave production value on the tabular array.
1. White Balance
White balance is the same thing in your camera every bit it will be in coloring programs. It describes the color temperature of your image.
If you lot properly white remainder your camera for the scene, you lot should have images that keep your colors around their intended values. Fifty-fifty if you do this in camera, you'll probable demand to make a few necessary tweaks in post to go you home.
Your white balance should exist one of the first things yous practise, because information technology will affect every single decision yous make from there on out.
ii. Scopes
You will want to use scopes (Waveform, Parade, Histogram, Vectroscope) to give you some extra value color info that you didn't see initially.
Check out this video to see a demonstration of scopes.
How to understand scopes
As you lot can run across, scopes are a uncomplicated simply powerful tool that allow you to properly color correct your footage.
Scopes are a monitoring tool that show color and calorie-free information on a graph so that yous can encounter the precise rest of these characteristics and how they compare to one another.
3. Curves
Curves are helpful for precise color correction and color grading, and y'all volition want to pair these with your scopes.
With curves, you can add points to drag colors to new values, and change shadows, midtones, and highlights with much more than precision.
When you brand a curves adjustment, you command the entire colour aqueduct shift with whatever movement of the drag points. And that's a good thing, because it ways the change isn't isolated, but interconnected.
This generates gradual changes rather than big extreme changes. You can always zoom in and add another elevate point to brand a small adjustment.
iv. Colour Match
Color lucifer allows you lot to choose a reference image that volition and so exist analyzed and applied to your target prototype.
This is an automatic calculation, so it is important to check your scopes and utilize your judgement as to the quality of the color match.
Some people even like to use pop film clips as their reference paradigm, and their own personal footage as the target image.
This is fine for your color grade, but don't practise this to colour correct. If you do, information technology will completely throw off the value of your colors and ultimately make your life a lot harder than it needs to be.
Color friction match, as demonstrated in Adobe Premiere
The best way to apply color friction match is afterward you've color corrected some footage and now need to use those same corrections to a target clip.
Ofttimes, you could just re-create and paste the furnishings from your previous clip onto an aligning layer, or through the use of bins, but if your footage has lighting and exposure discrepancies, it may not work very well.
5. 3-Manner Corrector
Three-manner colour correctors are a useful tool for many colorists in professional amusement, but they have their pros and cons.
The three-manner colour corrector lets you balance the shadows, midtones, and highlights of an image using color wheels. You tin can fix numerical values, or use the control drag betoken to gear up your value based on hue.
7. Colour Qualifiers
Color qualifiers requite you the chance to change a particular color, or range of colors, without changing the residue of the pic.
You can also employ color qualifiers to identify colors that you want to gear up in identify and so that they won't alter when y'all adjust other colors and elements in the picture.
8. Color Masks
In the DaVinci programme, color masks are called Ability Windows. These piece of work a lot like masks in Adobe Photoshop. Yous can designate a shape to isolate its colors.
ii
Color Process Steps
HOW TO PROPERLY Colour FOOTAGE
2.1 VIDEO COLOR PROCESS
How to pick your moving-picture show profile
First things first. Choose your picture profile.
If you are shooting in RAW format, y'all will have a large amount of control over the characteristics of your prototype. Beyond general quality, this is ane of the bonny advantages of RAW, merely it eats up a lot of storage (This is because RAW images, captured unprocessed by the camera with no set parameters, are uncompressed).
If you are not working in RAW, chances are that you will want to record in a flat picture profile, or Log profile, to requite yourself more opportunities when it comes to coloring and enhancing your footage.
Colour Infinite DEFINITION
What is a picture contour?
A picture show contour refers to a prepare of parameters that determine the characteristics of your footage. Pop movie profiles for professional video are 'C-Log' (Catechism) or 'S-Log' (Sony), but there are many others.
What does a motion-picture show profile do?
- Establishes baked-in parameters for your footage.
- Specific profiles give yous a more obedient paradigm.
- Maintains consistency across your footage.
See how important it is to establish color profile outset?
Y'all can't go dorsum on your picture profile because it is broiled into your footage (unless you lot're capturing images in RAW).
Your picture profile can be whatever you want it to be, simply mostly if it is more "flat" it will give you the best chance to pull out some extra steps of dynamic range, and proceed your footage out of trouble.
This is where you lot hear the term "Log," and more specifically "C-Log" (Canon) or "S-Log" (Sony). These are substantially neutral moving picture profiles (but non RAW!), giving you the best chance for controllable images.
ii.2 color correction guide
How to color right video
Now we can begin to color correct.
Color correction methods have changed since amusement production switched to digital footage, but it is still just equally of import for professional person images. You lot've established your moving picture contour, and then at present let'south talk about 1 of the nearly important steps in whatsoever postal service production workflow.
Colour CORRECTION DEFINITION
What is color correction?
Color correction refers to adjusting white and black levels, exposure, dissimilarity, and white balance to give you an image with authentic, unprocessed-seeming colors. The indicate of colour correction is to ensure that subsequent color adjustments have more precision, and don't yield unintended results.
The other purpose of color correction is to create visual consistency for your footage and scenes. You want them to match for meliorate catamenia.
What does color correction do?
- Establishes true levels and colors.
- Allows for accurate and effective adjustments.
- Creates visual consistency throughout scenes.
If your white isn't really true white, just rather more than of a biscuit, any adjustment you lot brand to your epitome will exist incorrect. If yous become rogue, something that looks expert to y'all may wait odd to someone else.
It's like trying to write a great vocal with an out-of-tune guitar.
Color correction eliminates visual inconsistencies. Yous'll need to go through this procedure if you hope to cut together footage that may not expect exactly the same, only needs to be in the used in the aforementioned scene.
Check out this Adobe Premiere color correction tutorial:
Color Correction in Adobe Premiere Pro
If your color profile is flat, desaturated, and has less dissimilarity, it will permit these additions to take a more than positive outcome, and give you lot a chip more control when coloring your footage.
It too helps you to squeeze out some actress information in between your maximum and minimum values.
Retrieve how easy information technology would be to color the art at the museum if information technology was flat, desaturated, and had less contrast. They'd be more like coloring books.
Let's get into the micro-steps of color correction.
ane. Utilize your input LUT
The LUT (which stands for expect up table) that you employ in this instance volition shift the colors in your footage to the standard values of Hd broadcast television, and we referred to it as an "Input LUT."
This ways that we intend to transport our footage through this predetermined aligning and so that we may accurately arrange colors during our correction and class stage, but …
Y'all output LUT (if you cull to apply one) is intended to achieve a cinematic look, or sometimes a "motion-picture show" await.
The Rec. 709 LUT will make your color correction sliders, curves, and scopes all work the way they should so that you can get the nearly out of your creative LUTs later on.
What'south the deviation between a Log LUT and a Rec. 709 LUT? Cheque out this video for a quick primer.
Log vs. Rec. 709 explained
Here's a fun (and odd) metaphor.
When you make coffee in the morning time, y'all pour hot water over ground up beans to get … coffee!
You don't, however, cascade coffee over ground upwardly beans to become java.
Log footage is your hot water, and the coffee beans are your input LUT.
Don't put already "brewed" footage with harsh characteristics through an input LUT because yous'll end upward pushing values to extreme levels.
Rec. 709 allows you lot to work from a place of accuracy, but it is not necessarily going to give yous the look yous hope to achieve, and that's where boosted LUTs and color grades come into play.
Watch this quick study in colour grading with a variety of footage types:
Colour grading a diversity of footage in Adobe Premiere: RAW, Log, and Rec. 709
Applying a LUT is also an opportunity to white balance your footage, either via the Auto White Balance or manual temperature adjustments.
Your camera should take been white balanced before hand, but there are some flick profiles that slightly push the colour temperature one way or some other, so you lot'll want to rebalance regardless.
Don't apply whatsoever tint at this point. Not still. You only want to get as close to truthful white every bit you can so that each stride works correctly. Unless your footage was shot in a way that the tint helps, chances are you should avoid it birthday.
2. Choose a "home base" clip
The best way to attain visual consistency across a bunch of footage is to look at your clips and to find one that has average exposure and levels when compared to the balance of your footage.
That way, you tin can try to match everything to a identify that is, at the very to the lowest degree, able to be achieved with all of your footage.
If yous option a prune that has an extreme exposure when compared to the other footage yous got on the day, you may not be able to adjust those clips to match one another, thus eliminating options from your cut.
iii. Adjusts white and black
You'll want to use your scopes here, and you demand to do each one at a fourth dimension. Arrange the colors and levels to observetruthful black ortrue white.Make your video wait properly adjusted for white and blackness using any number of tools. Hither'due south how to practise it with Adobe Premiere's Lumetri Color tool:
How to get a cinematic look
Your scopes will allow you lot know if y'all've gone also high or too low with your levels, and y'all may need to accommodate your RGB curves equally well.
Use the scopes for precision.
iv. Conform overall gamma
This is where you conform each department of your paradigm, which includes the highlights, shadows, and midtones. Again, at this point nosotros are nonetheless in the color correction phase and not stylizing or grading phase.
Remenber with gamma adjustments and colour correction in general, y'all are NOT trying to make your image expect "cool" or "how you lot desire it to look" but rather "correct" in terms of color fidelity and the human relationship betwixt each level's low-cal intensity in the image.
Video gamma explained
After, when we get to color grading, you lot can crush your blacks and blow out the whites, but during this phase y'all but want to make them coordinate with one another.
5. Basic secondary correction
In chief colour correction, y'all conform and correct the unabridged image. Secondary color correction involves isolating specific parts of the image, or objects within the video frame, and correcting only those.
The same mode we've created archetypes for characters, and so it goes for color schemes and color identification of objects and imagery.
We all know that the sky is blue, or that a stop sign is cherry-red.
These are colors that everyone knows, and will expect to annals if say … you accept a stop sign in your footage.
If the color of your cease signlooks weird, that ways two things:
- Your color correction is probably off past a bit.
- Viewers will subconsciously question your story.
This ways that skin tones demand to look similar real skin tones, blades of grass need to look like blades of grass, and the globe has to appear existent.
This video explains it well:
Secondary color correction in Adobe Premiere PRO CC
That way, when yous do arrange something later you lot tin be sure that it works correctly so that yous achieve your intended look.
Your imagery likewise feeds the willing pause of disbelief so crucial in narrative filmmaking, all because you followed the "rules."
six. Advanced secondary correction
This is where you brainstorm to adapt specific colors toward your want, while still keeping in heed that they still demand to exist "correct."
You might want to heave the yellow of a vivid-yellow sports car. You're not altering the overall xanthous in the full image, just rather boosting a very narrow hue to brand specific imagery — the yellowish car — pop.
Advanced secondary colour correction
Nosotros still want things to look the way they should, simply you tin brainstorm to apply your taste a little more during this section.
Just know that yous may bump values later in your color grade, so do and then appropriately to avoid backtrack.
Looking good? Everything'due south correct? Great. Now let'southward make the grade.
2.3 digital colour grading
How to color grade video
When you lot begin color grading, you will of course need to first with some software. This tin be an NLE (non-linear editor) similar Adobe Premiere or it can be a program created specifically for colour control like DaVinci Resolve.
Information technology's likewise likely you'll be using the same platform to color class as you used for your color correcting — but many video color correction and colour grading pros like to use different software for each process.
Colour GRADING DEFINITION
What is color grading?
Color grading refers to the stylized color scheme of your footage. This can be super farthermost like you see with many pop films, or it tin be rather subtle so as to achieve color fidelity similar with nature documentaries.
What does a color course exercise?
- Stylizes the color scheme of your footage.
- Evokes specific emotions from your viewer.
- Transforms footage for the final look.
Every piece of footage that has ever been recorded has a color course, regardless of any adjustments that might be applied.
This is different from colour correction, because clips that aren't adapted to the right levels are Non color corrected, but any footage you capture has a color grade — and it is your task to suit that grade to display your desired look.
It'south what turns film and video makers into artists.
Have a look at director Denis Villeneuve's color schemes in this video:
How to utilise color like director Denis Villeneuve
Your color grade is where your footage begins to look stylized, but information technology won't expect the way you want unless you lot follow the first two steps correctly.
This is where you lot become to brand your own creative decisions.
Using the same tools you've used to color correct, now you can add some other layer, and paint your masterpiece.
This is the moment where nosotros have to explain that the process of coloring video is additive.
That means we are adding color data to something that already has baked in color values. We are non changing the digital values of color, just rather adding values on elevation of the existing values.
It is like to going to a museum with some paint, and adding more color to art on the walls.
Yous can also enable a creative LUT to your color corrected footage, which will apply your entire color grade literally with a single click.
In our post on LUTs, nosotros get over different kinds of LUTs and give you a free pack of Ridley Scott LUTs.
Cheque out how Ridley Scott uses color here:
Mastering the film color palette of Ridley Scott
You can see right away how these artistic output LUTs make your life much easier, and if you create your own custom colour class y'all tin can export information technology as an export LUT, and use information technology to the residue of your scene.
Colour grading is something professionals consider before they step on set. While there is a bit of creative latitude in post-production, you'll want to make up one's mind a starting point for your color grade during pre-pro.
3
Video Colour Examples
THE Before AND Later on OF VIDEO COLOR
three.one VIDEO COLOR Profiles
Colour Contour Examples
Beneath is a clip of some footage shot in "C-Log." You'll exist able to run across exactly what footage should expect similar coming out of the camera.
Video color in test footage
If you're working with a photographic camera that doesn't accept a Log setting, you can discover your "Neutral" profile and decrease the dissimilarity and saturation levels thus creating a custom pic profile that resembles Log.
3.2 colour correction post production
Color Correction Examples
Showing you properly color corrected images will give you a articulate idea how footage is transformed before setting out to color form.
Colour direction is the key to matching colors from multiple cameras
The color correction examples in the video above were shot in a flat picture profile, run through the Rec. 709, and then corrected based on those values.
3.3 VIDEO and film color grading
Color Grade Examples
Here are some great examples of professional color grades.
In the first example, from Black Hawk Down, the bluish is much more than saturated and the brightness is definitely turned down, with the highlights lowered every bit well. This is a great await for sci-fi footage, or even a nice David Fincher noir vibe.
Blackness Militarist Down LUT in full effect
In the next example, below, we get a landscape shot. This also comes from a Ridley Scott film, The Martian.
Yous'll detect immediately how much darker the sand in the ungraded clip looks, and obviously the amount of saturation in the heaven. Information technology looks like, well, Mars.
Color grading examples from The Martian
The sky in this prune has completely lost its blue, and become brown, but human do those reds and oranges come out. You'd nearly remember the lack of color dissimilarity would hurt, only it doesn't.
For these 2 examples, we used the free Ridley Scott LUT pack.
Keep in mind: if these clips had non been properly color corrected first, the LUTs wouldn't have worked this mode.
3.four VIDEO COLOR EXAMPLES
Color Palette Examples
Hither are some examples of color palettes from popular films and television receiver. Proceed an eye out for colors that have the same hues but different saturation and brightness. Check out Kukrosawa:
Create a color palette like Akira Kurosawa
Color is one of the more complicated portions of film and video because information technology requires a coherent programme from the start.
Performances can be hashed out by the director and actors.
Lighting can be figured out by the DP and gaffer.
Sound can be taken care of by the sound team.
But for color to be done correctly, you need practiced lighting, good production blueprint, thoughtful input from the managing director, and obviously a skilled colorist.
And at present you know a skilled colorist who has washed their research: you!
UP NEXT
Color in Film: 50+ Examples
Now that yous're prepare to color and edit your footage, brand sure to check out our post on how to use color in film where we provide you lot with a free due east-book to help you color your footage during every phase of production. If you're about to color right and class some footage, why not use this guide to inspire some big decisions that volition brand your clients and viewers understand why they come up to you - great imagery.
Up Next: How to Use Color in Flick →
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So I Downloaded A Art Template, How Do I Color It?,
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